[PDF] Blacksound: Making Race and Popular Music in the United States by Matthew D. Morrison

Blacksound: Making Race and Popular Music in the United States. Matthew D. Morrison

Blacksound-Making-Race.pdf
ISBN: 9780520390591 | 328 pages | 9 Mb

• Blacksound: Making Race and Popular Music in the United States
• Matthew D. Morrison
• Page: 328
• Format: pdf, ePub, fb2, mobi
• ISBN: 9780520390591
• Publisher: University of California Press

Download Blacksound: Making Race and Popular Music in the United States

Free ebooks to download uk Blacksound: Making Race and Popular Music in the United States 9780520390591 English version

A new concept for understanding the history of the American popular music industry.   Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.   Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake—for creators and audiences alike—in revisiting the long history of American popular music.

Blacksound: Making Race and Popular Music in the United
Buy the book Blacksound: Making Race and Popular Music in the United States by matthew d morrison at Indigo.
Issues in American Music
and popular culture throughout the nineteenth century. From Matthew D. Morrison, “Race, Blacksound, and the (Re)Making of Musicological. Discourse.” Journal 
Blacksound: Making Race and Popular Music in the United
A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface minstrelsy and the 
Tiana Reid
A new concept for understanding the history of the American popular music industry.Blacksound explores the sonic history of blackface minstrelsy 
Blacksound: Making Race and Popular Music in the United
"Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s 
2024 Nina mae mckinney 25000 theatre, - xandiri.online
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This means that African Americans have always posed a very particular problem for the American nationstate. However, race has been a key element in the 
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A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface minstrelsy and the 
Unit 3 Sources
U of Illinois P, 2008. Morrison, Matthew D. "Race, Blacksound, and the (Re)Making of Musicological Discourse." Journal of the American Musicological Society, 
Matthew D Morrison - New York University - Academia.edu
MATTHEW D. MORRISON, PH.D. Assistant Professor | The Clive Davis Institute of Recorded Music New York University | Tisch School of the Arts 25 E 21st Street 

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